Loving Quotes To Put On A Wedding Invitation

Patrick Nadeau for Boffi. WHERE TO LIVE LIFE? THE BOOK on interior design: Nanon

"In the morning when I was leaving the motel room or the hotel where we made love, or maybe not, maybe we just stayed where he hugged, I turned around and did una fotografia.

Non mi riusciva mai.

Avrei voluto fotografare i fantasmi dell'amore, le parole dette sottovoce, gli orgasmi, i nostri disordini, la nostra furia.

Volevo anche fotografare quanto della nostra esistenza era rimasto su quei muri miserabili, su quei tappeti schiacciati dai passi degli altri, dentro quelle lenzuola bagnate dei nostri umori.

Volevo capire, volevo imparare, volevo disperatamente sapere se c'era un modo - o se non c'è - di disegnare una stanza dove si possa trattenere l'esistenza. Tenere l'esistenza almeno per il fondo della camicia. Anche soltanto per un pò."

( Ettore Sottsass )

Yeah. But where he lives his life? Maybe in the rooms they are not involved stylist to bring up everything in order or, worse, fake disorder. Perhaps, in the careful art de vivre rooms rather than dictated by the tastes of home furnishings that are published in magazines. All so politically correct. Aseptically clean. Anesthetic anesthetized. Perhaps, in rooms occupied by persons and objects that have a story to tell or just be silent. Soul, perhaps. Then this life is like one of those smiles that you feel that you have a piece of food between the teeth. What are you doing? Smile anyway. Mica you can suppress.

Thanks Francesca. Manufacturer of light boxes to fill with light shadows of dreams.

( Michele FANFULLA )

1. Ettore Sottsass. HOME Nanon

Soundtrack (listen to while reading): Fausto Rossi - too many songs

Sottsass dedicated this house to the passion of his friend and gallery owner: living design . Almost a vision emerged from a dream, but sticking to the daily rhythms of domestic rituals. Projected to an end: the exploitation of man.

"The house is not a machine for living because the technical architecture is the technique of magic. The best way to understand the magic is to consider it a kind of science, that is a way to control the natural forces. The magic is Technical rougher and helpless man, and only the most uneducated, most naive and inexperienced, we can say more free? "

Nanon House is a sequence of spaces. Connected to each other by signs that appear in plant errors. Connected by tunnels which are a natural and artificial. Antithesis of abstract geometric grid.

"The problem or theme of this house is that every place you see different perspectives, see the house made of many different places, but not feel isolated ... the house around you."

"The entrance is the space through which passes the order from the chaos outside the house ... it is done as an empty room so you know you're coming into the house ... there are no hangers, no c 'is the vestibule, there is nothing, is like a temple and in fact the owner has a niche and we wanted to put a small Buddha with incense. "

E poi, dentro. Superfici parlanti con colori e materiali, elementi emozionali che traducono lo spazio in ambiente. variazioni continue di luce e ombra, naturale e fluorescente, dai muri di colore nella lezione dell'architettura mediterranea-islamica e del pop delle downtown del pianeta. Forme semplici, riconoscibili ma mai ovvie. Come il volume ad arco fatto di listelli in legno cangiante che contrasta col tubo al neon che fa da corrimano interno al passaggio.

I mobili sono essenziali e in gran parte tenuti dentro l'architettura stessa e comunque sono oggetti in qualche modo funzionali ai riti quotidiani.

"For me, the scale does not exist, there are physical dimensions, the thickness with which your body is put in the report, but we can not speak out because the scale out of scale provides the correct scale and for me this does not exist, any size, any solution establishes a different psychological relationship ... there are hot showers and a cold shower is not that cold shower is out of scale, it is just a cold shower ... For me, architecture does not give you suggestions literary but natural: you feel distance, proximity, noise, lights. "

capacity to hear colors and materials. Surprise and unexpected sense of calm. Even the banal terra cotta tiles become an opportunity for experimentation in the patio walls blue.

"The matter, the matters in this case have a huge expressive possibilities, is through the technique of hybrid combinations of matter with matter, materials expressively expressive modern materials with old trying to get out of the banality of functionalism .. . the important thing is to make the visual experience of architectural experience in physical fact. "

article: Michele FANFULLA